Exhibitions & Resident artists
Exhibitions, resident artists and painting-led studio culture at Burnt Sienna.
Burnt Sienna’s Resident Artist Programme supports painters developing sustained independent studio practices within the Charlottenburg space.
The programme includes shared studio access, mentoring, critiques, exhibitions and public open studio events.
Our first Resident Artists Open Studio will take place on May 29th 2026, presenting recent work by Chris Talib and Elaine Saulnier.
Burnt Sienna Gallery & Residencies is an emerging programme connected to Burnt Sienna Art School Berlin. The space supports painting, artistic practice, exhibitions, studio residencies and public-facing projects.
Resident Artists
Now!
Elaine Saulnier
Elaine Saulnier (b. 1987, Montreal, Canada; raised in Bangkok, Thailand) is a painter based in Berlin, Germany. Elaine’s aesthetic focus is the undercurrents of European Surrealism and the narratives of magical realism that motivate references within periods of classical sculpture and simultaneous visual mythology. Saulnier’s compositions reinterpret sculptural form, incorporating personal, symbolic iconography.
Thematically, Saulnier’s paintings explore the fragility of memory and the nature of personal relationships. Meaning in the work emerges through the context of collaged photographic imagery, which serves as the impetus and direction for the paintings’ engagement. Figures within recurring motifs, such as flowers, foliage, skulls, and ruins, create layered visual stories that combine histories and inclusive moods and feelings.
Elaine’s studio process is influenced by the artisanal practices of making materials by hand using traditional tools. She devotes a concerted effort to the entire process of creating her artworks, from scratch to the final work. Elaine applies the same process to the medium of silverpoint drawing, forging the stylus from melted pieces of jewelry with the assistance of a silversmith.
Elaine Saulnier has participated in exhibitions in Europe and Southeast Asia. Her thesis exhibition was presented at the Bangkok Art and Culture Center in 2011. In 2006, she traveled to Taipei, Taiwan, as a student delegate to present work at the IASAS Cultural Convention exhibition at Taipei American School and took part in a workshop under the Taiwanese ceramicist Ah Leon. Her work has also been included in group exhibitions in Berlin, including Das Giftraum and Artisan Gallery. Saulnier was recently an artist in residence at Burnt Sienna Art School in Berlin in 2026, where she worked under the mentorship of painter Louise Lenz.
Inevitable. Elaine Saulnier. 2026.
Serenity. Elaine Saulnier. 2026.
Whimsy in Gloucester. Elaine Saulnier. 2026.
Death of Cleopatra. Elaine Saulnier. 2025.
Itchy. Elaine Saulnier. 2026.
Now!
Chris Talib
Chris Talib lives in Berlin and began his art practice in 2020, when the world held its breath.
His work revolves around two main themes: brush strokes and soft moments. Brush strokes are the most important aspect of painting and its materiality. In a world where everything is seen through a screen, he believes it is important to reacknowledge our volumes and our physical existence.
Soft moments, meanwhile, represent a rebellious stance against the brutal instantaneity of daily life, which is increasingly digital. Through the exploration of mundane and everyday settings, he seeks traces of human existence that remain when people are not paying attention to them.
He is also part of Berlin’s vibrant artistic community and frequently participates in life drawing sessions, whose works can be found in the sketches category.
Madeline 2. Chris Talib. 2026.
Sophie. Chris Talib. 2026.
Madeline 3. Chris Talib. 2026.
Oryx. Chris Talib. 2026.
Figure. Chris Talib. 2026.
Soon! - From June 1st
Anna Kraske
As an artist, she is interested in painting as a process related to human perception. She believes that painting has the capacity to deliver an image that is truer than what can be communicated through other means. The construction of a painting from any kind of reference reflects both present observations and the material and visual experiences accumulated in the artist’s mind over time. A painting can be understood as a series of marks, edited according to what she finds visually significant and is able to convey to a future viewer.
A related artistic interest for her is the idea of a painting as a kind of witness statement: the artist creates an image grounded in lived visual realities. For this reason, she considers painting by hand to remain relevant as an individual human activity, even in an age saturated with machine-made images. Painting from life—whether still life, landscape, or figure—always feels like a luxury to her, yet she increasingly sees it as an important antidote to our highly technological reality.
Many of the paintings she has produced in recent years have been meditations on the destructive practice of aerial bombing, a subject that has affected her life in numerous ways. Although this practice emerged relatively recently in human history with the invention of the airplane, it has become one of the preferred weapons of modern warfare. As a blunt instrument of war, it causes devastating harm to countless civilians while also generating profound environmental consequences. Her most recent series of paintings presents moments from the history of aerial bombing, spanning from the bombing of Bombing of Guernica in 1937 to the present day.
1945 (Berlin). Anna Kraske.
2024 (Gaza). Anna Kraske.
2001 (New York). Anna Kraske.
1937 (Guernica). Anna Kraske.